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Osibisa were
formed in London in 1969 by three
Ghanaian and three Caribbean
musicians. They took their name
from the Akan ( which is a West
African language ) word for a
particular dance rhythm. Their
music was a fantastically
infectious mix of African rhythms,
R&B, jazz and rock, and it had an
instant appeal with the punters.
Their first self-titled album,
complete with Roger Dean artwork,
did very well for them, as did
later albums, and they became very
popular in Australia, the US and
in England. They split in the late
seventies and reformed in 1980.
They appear to be still active,
although new releases are few and
far between, the last(?) one being
" Monsior" about five years ago.
Osibisa
Osibisa - Survival, from "Woyaya",
their second album, released in
1972. We've featured this amazing
outfit many times in the past and
they're also well represented on
these pages elsewhere, so we won't
repeat their entire history here.
What we will mention again is that
they were formed in London by
three Ghanaian and three Caribbean
musicians and they played an
important and central role in
developing an awareness of African
music, in their case,
specifically, West African
highlife tinged with rock.
Ghanaian members, Sol Amarfio on
drums, Mac Tontoh on Trumpet and
Teddy Osei, Tontoh's brother, on
sax, were seasoned members of the
Accra highlife, featuring in
outfits such as The Star Gazers,
The Comets and The Uhuru Dance
Band before they moved to London.
The other members were Wendell
Richardson on guitar, from
Antigua, Spartacus R, from
Grenada, on bass, and keyboard
player Robert Bailey, from
Trinidad. A seventh member,
percussionist Darko Adams, also
from Ghana, joined after the
formation of the band, which was
actually called Cat's Paw when it
was first formed by Osei when he
moved to London. Osibisa was born
at the end of 1969, and their
debut, self-titled album was
released in 1971 on MCA Records
and it was an almost immediate
success, with the single "Music
for Gong Gong" a substantial hit.
Our featured album reached number
11 on the UK charts, but
unfortunately the band's true
power only fully came across
onstage. They went on to score
with a number of excellent albums
and singles over the next few
years, notably "Sunshine Day" from
their "Welcome Home" album,
released in 1976. During the late
seventies, they spent a lot of
their time on the road, touring
Africa, India, Japan and
Australia, where they'd built up a
fair following. They continued to
record and tour well into the
80's, but disbanded midway through
the decade, although they are
apparently around is some form or
another.
Osibisa
Osibisa - Why, from "Osibirock" in
1974, their 5th album. Not one of
their best known albums, which is
a bit of a shame, as it certainly
was up there with their best. You
can read up on this great
multi-national o utfit elsewhere
in these pages as we've featured
them on numerous occasions in the
past. If you happen to spot this
excellent album in your local
store, give it a listen.
(If you have more info on this
band, please
e-mail us)

The brainchild of Teddy Osei, a
Ghanaian sax player, composer,
and drummer who came to London
to study music, Osibisa was one
of the first African bands to
win worldwide popularity. Their
mix of African (especially
highlife) and Caribbean forms
made them a sensation in the mid
70s and their popularity
continues today, even though
recording dates have fallen
off.

Kiki
Gyan
Gregg Kofi Brown

Mandrill
Hi Life International
The Ramblers
Uhurus
Bwana
Oneness of Juju
Malo
War
Cymande
Assagai
The Third World
Koo Nimo
The Sweet Talks

If you
have any contribution to make to
this band or something to add,
email me - Japie Marais.


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