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Quidam are one of the
best progressive bands in the
world today. A fairly young band,
they're from Poland and they were
formed about five or six years
ago, although information on them
is not easily forthcoming, and if
it is, it's probably in Polish!
They have the most stunning
vocalist in the form of the petite
but lovely Emila Derkowska, who
also has a hand in w riting some
of the songs and also plays cello.
Their debut, self-titled album was
released in 1996 and it featured
Ewa Smarzynska on flute, although
this talented lady left the band
before their second album, "Sny
Aniolow", or "Angel's Dreams", was
released in 1998. (Two versions of
this album were recorded, one with
Polish lyrics and the other with
English lyrics, although the
Polish version is far better and
more "authentic" sounding). The
quality of m usicianship from this
band is astounding. Joining Emila
are Zbyszek Florek on keyboards,
Jacek Zasada on flutes, Radek
Scholl on bass, Maciek Meller on g
uitars and Makow Jermakow on
drums. This album was recorded
live at Baja Prog, Mexico, on 6th
March 1999, and Quidam were
featured alongside other prog
outfits such as Tempano,
Iconclasta, Cast, Arena, Crucible,
Tenn Jinn, After Crying and
Halloween. They do stunning
versions of Camel's "Rhayader/Goes
to Town" and Deep Purple's "Child
in Time". The various Quidam
musicians have also appeared on
Camel bassist, Colin Bass' solo
albums, together with members of
another great Polish act, Abraxas.
Don't be put off because you may
not understand what they're
singing - Quidam are a fine e
xample of how enjoyable modern
progressive rock can be. And that
voice - she's brilliant (and very
hot!).
(If you have more info on this
band, please
e-mail us)

Biography by François Couture
Hailing from Poland, the
neo-prog group Quidam released
its first album in 1996 and
quickly won both specialized
press and audiences over. The
angelic voice of singer Emila
Derkowska and the group's ample
use of flute in its arrangements
secured it a respectable place
alongside Collage and Abraxas in
what has been called the ‘90s
Polish contingent of
neo-proggers.
In 1991, guitarist Maciek
Meller, bassist Radek Scholl and
drummer Rafal Jermakow, then all
18 and 19 years old, formed the
hard rock/blues trio Deep River
and began to play bars all
around Poland. They were soon
joined by keyboardist Zbyszek
Florek and cycled through a
number of singers until they
found Emila Derkowska in 1993.
The arrival of flutist Ewa
Smarzynska provided the impetus
to shift the musical direction
toward a more symphonic sound.
Songs grew slightly more complex
but the group still wanted to
appeal to wide audiences and
thus the music developed around
the neo-prog axis of IQ, Camel
and late-period Pink Floyd. At
this point the name was changed
to Quidam, a Latin word meaning
“someone" but here making
specific reference to a poem by
Kamil Norwid.
Quidam's live shows, fronted by
the charismatic Derkowska,
gained local fame. In April
1996, at the first festival of
Polish Prog Rock, the group
unveiled its eponymous debut,
featuring its now classic tracks
“Sanktuarium" and “Ptone."
Released by the local label Ars
Mundi, the album slowly trickled
out of Poland and garnered
favorable reviews. It featured
guest appearances and
songwriting credits from members
of Collage. The group made its
first international appearance
in Holland in January 1997,
building a following there and
in France. Two nights in April
that same year, Derkowska and
Smarzynska were invited to
perform the overture of Harbour
of Tears on stage with Camel.
Three months later the group
performed at the festival
ProgLive ‘97 in Corbigny
(France).
In early 1998 Smarzynska called
it quits and was replaced by
Jacek Zasada, only weeks before
the recording sessions for Sny
Aniolow started. The album was
released by Rock-Serwis in
Poland and Musea in France, the
latter under the title Angels'
Dreams with re-recorded English
vocals. Despite a more
pop-oriented sound the
specialized press remained very
encouraging and in March of 1999
Quidam made its first overseas
trip to headline the third Baja
Prog festival in Mexicali,
Mexico. Meanwhile, the
relationship between Quidam and
Camel developed in unexpected
ways as bassist Colin Bass hired
the group to open for him and
back him up during his European
tour promoting his solo album
Outcast of the Islands.
Things slowed down for the next
two years as the group prepared
its third studio album,
performing live only sparsely in
Europe. Pod Niebem Czas came out
in March 2002 on Rock-Serwis and
three months later on Musea
under the title The Time Beneath
the Sky (although the vocals
were not re-recorded this time).


Camel
Collage Agronic
Renaissance
Abraxas Pool

If you
have any contribution to make to
this band or something to add,
email me - Japie Marais.


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